Showing posts with label sculpture. Show all posts
Showing posts with label sculpture. Show all posts

Thursday, July 13, 2017

Kidnapper's Art Book (deux) and Lynda Benglis

Aleathia says:

Kidnapper's Art Book x 2


"Welcome to the middle of nowhere: open 9-6"




"Sophisticated Metropolis"


Today's artist from the SF MOMA text is Lynda Benglis!

This time I simply put in the work "knot" and she was sent my way with a beautiful piece called "Lambda"



1lY0c_KoyZ_4.jpg (626×850)


Friday, September 12, 2014

Art Bomb-9/12/2014 Dennis Ashbaugh

Aleathia says:

The great thing about having your own blog is that there is the freedom to change your mind at the drop of a hat.  I am my own editor (as terrible as that might be) and can choose to pivot when the wind blows.  My original idea for today was to start a two part series on Joan Miro which looks at the beginning of his career and the very end.  This is an insanely involved project that I now see requires a bit more thought and research.

However, I love the idea of looking at an artist's career visually from start to finish.  How did the world influence them?  What became their muse through the years?  Did they alter their technique to allow new ideas to flourish?

I am one of those people that stand in awe of artists.  I have always wanted to be one, but never put the effort forward to achieve it.  I have been afraid of failure most of my life and thus it has kept me from pushing outside the boundaries set for me by society.  I am well aware of being able to break that habit.  I must be an old dog.

While picking up the Miro books at the library, I found this odd little book called American Painting in the 1980's.  I had to laugh since the 80's are coming back in full swing.  So much neon that I could barf.  It was hard enough the first time.  Inside were bio pics of artists which were decidedly 80's and then one representation of their work from that era.  I thought this would be a quick replacement for the Miro project until I could finish it. Ha.

I flipped through the book and chose 12 artists whose work I really enjoyed.  My thought was to feature one from their early career and then one now.  It wasn't as easy as that.  Almost half have faded into obscurity or gotten "real" jobs.  The remaining 7 artists have amassed such an interesting collection that supports transformation that I couldn't be so nonchalant with their work.  So, here starts a 7 part series on artists whose fame on the art scene happened in the 80's.

Sadly, for as decorated as some of these artists are now, I have never heard of them.  I love modern art with a passion.  I feel a bit cheated that I have not taken in their offerings before.  This week will feature the work of Dennis Ashbaugh.


Dennis Ashbaugh was born in 1946 in Red Oak, Iowa.  He spent his younger years in California where he learned to surf.  In 1969, after attending college in California, he moved to NYC where he immediately started showing work in that art scene.  He has remained there to this day.  He is an internationally decorated/acclaimed painter and sculptor.  He was the first artist to ever use DNA marking patterns in his paintings.  His major themes in content are computers, clones, DNA, networks and viruses both biological and computer generated.



"Goodbye" 1970



"Shiny" 1971



"Agitreklama II" 1974


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"Stout's Last Surprise" 1975



"Free My Wife I'll Pay 300 Grand" 1978



"Big Relief for a Big Headache" 1984




"We Will Keep Our 2 Headed Baby AKA Pollack and Mondrian" 1987



"Untitled: Gene Sequence Series" 1989



"Bio Gel AKA The Jolly Green Giant" 1990



"Prism Issue" 1992



"Entropy" 1992



"Hot Chernobyl" Sculpture, 1994



"Frozen Chernobyl" Sculpture, 1995



"Paul" from the Guilty Series, 1997



"It's Only Human" 2001



"Seadevil" 2007



"Incendiary Q Kill A Tron" 2009



"Gravitron Squish Master" 2010


















Friday, June 20, 2014

Art Bomb-6/20/2014 Cy Twombly

Aleathia says:


Cy Twombly died in July 2011 shortly after I was able to see his sculpture collection at the Chicago Museum of Art.  He died before I even made it home.  I heard about it on the road and was stricken with sadness at his passing.



Cy was an American painter and sculptor who studied in Boston.  In his lifetime, he served several times in the Army where he was a cryptologist.  This talent would later find its way to his work and be very influential.




In the mid 90's I took an art class at North Seattle Community College just for fun.  I also took Botany and Creative Writing.  I was making attempts to create my own identity.  My professor in art was a young woman and her favorite artist was Ellsworth Kelly whose work was bright and blocky and vibrant.  The highlight of the class was a private tour she arrange for our class at the Seattle Art Museum....only it wasn't in the main gallery halls, but in the back room.  We had a private showing of pieces not on display.  One of these works was an 8 foot painting by Twombly.



The other students made fun of it and said it looked as if a kindergartner created it right before nap time.  I could see the teacher was hurt by this, but she said nothing.  I stood and examined this piece for a long time. It was mostly different shades of white with red markings, but it had texture and dimension.  The innocent scribbles meant something.  They were cryptograms, hidden messages.  He was trying to tell us something about ourselves and we weren't listening.

I never forgot that moment or what my professor shared with us.  She had passion and tried desperately to make a mark on us.  I'm not sure how many of the students cared about that private showing, but it made me feel special.  It started a love of Twombly.



Twombly had a wonderful, playful, colorful period when he did Peonies and other flowers.  His work is always recognizable and distinct.  His work is part of the permanent collections at the New York Museum of Modern Art as well as the Louvre in Paris.  If you get a chance to see his work up close and personal you should do it.  It has much more meaning when you can experience the texture and time it takes to create simplicity.




Friday, May 16, 2014

Art Bomb-5/16/2014 Olafur Eliasson

Aleathia says:

In 2007 I went to San Francisco to do a poetry reading and stayed with my friend MK.  During that trip we went to the MOMA to see the Joseph Cornell exhibit, but what interested me more was a series of installations in a gallery showing called "Take Your Time" by Olafur Eliasson.

I had never been to a museum in a big city and had never experienced the power of large installations.  I was intrigued by the sheer mass of them.  They were full of angles and light and textures.  Intricate and simple at the same time.


"One Way Color Tunnel"



"Beauty"

This installation was called "Beauty".  It was like walking through a misting rain forest on a great spongy jungle floor.  You were invited to walk through it or stand by and admire it.  It touched me so much I wrote a poem about it.


Beauty

for MK

Water falls smoothly like silk hair of a beast, flowing.
Fresnel lamp raises fractal prisms
in walled mist, the distant hum
coming from the blackness.

You move through,
face glistening unaffected
by hidden eyes devouring you,
distorting the water with the curves
of your body; turning our perceptions
into silence wrapped moments.

Touching without touching,
you find the answers we have all searched for,
though never found, now quietly parceled
in one tiny ray of light
on the bridge of your nose.


Aleathia Drehmer 2008



"Moss Wall"

This piece was most impressive.  With the man standing there you can understand the scale.  It was tucked between two white walls all by itself.  The smell of dried moss was cloying and comfortable at the same time. This installation also inspired me to write a poem.


Shipwrecked


It is a wall of honeyed trees;
the aerial view, density personified,
engulfing and pushing
the girl simultaneously.

Her body pulled inward
by the smell of it,
something akin to seaside,
and hay in mid-day heat.

Its branches a delicate coral,
an entanglement of water removed
from the primal habitat,
climbing walls instead of creeping sand,

and she wants to swim through it,
lie in it like a simpleton
as if she belonged there,
pretending for only a few moments
that she is a daughter of the ocean.

Aleathia Drehmer 2008


The last noted exhibition was at the Tate Modern in London, England.  If your local museum ever features Olafur Eliasson it would be worth the price of admission to go and see it.  Here is a video about one of his installations called "Little Sun".


Olafur Eliasson's Little Sun